terça-feira, 10 de novembro de 2020
Deep Archive: Recent Exhibitions, Performances, Publications, Lectures, Research, etc.
sexta-feira, 26 de janeiro de 2018
2017 in Wrap
Watch "Black Code/Code Noir" by Louis Henderson hERE
- Theatre of the Oppressed workshop on the site
of former Yugoslavian army barracks where we used to hang out as teens after
they were occupied by activists
- Coco Fusco's performance at KW (Berlin) followed by a
dinner with her and Tanja Ostojic. Words May Not Be Found
- Hanging out with decolonialists in Berlin + Jeannette
Ehler's book Say It Loud!
- Ingrid Mwangi's performance at Savvy (Berlin). Outwordly
- How does the world breathe now? Screening of a film Eyes
of Stone by Nilita Vachani (hosted by Chus Martinez and recommended by Tejal
Shah) at Savvy (Berlin). Posessed by spirits
- Berries party: A hip-hop night for queers by Stitch &
Tchuani + guests
- Got a lot of support from migrant communities who have
also been feedin' me and keepin' me safe: TXS! Korea, Vietnam, Tibet, India,
Mexico, Lebanon, Syria, Turkey, Sudan, etc.
- Participated in Performance Festival in Martinique. It
resembled a long journey
- Exhibition by some Lebanese artist at Centre Pompidou (Paris).
Photos that deal with recent history of invasions looked like miniatures.
Unfortunately I can't remember his name
- Didn't arrive on time for the opening of La Biennale (to
see the Diaspora Pavillion and Ayrson Heraclito's Sacudimento)
- 4 attempts to get the visa to go to Havana for a residency
and session with director of Wilfredo Lam art centre, Dannys Montes de Oca
- Invitation by ifa gallery (Berlin) which has a year-long
programme on colonial legacies
- Patricia Kaersenhout's sound recording on black female
rebels as part of her project Guess Who's Coming to Dinner, Too?
- Jayan Cherian (NYC/India) sent me his new feature film
KaBody Scapes
- I wish I could see Grada Kilomba's exhibition in Lx
entitled The Most Beautiful Language
Etiquetas:
black code,
cherian,
diaspora pavillion,
ehlers,
fusco,
henderson,
heraclito,
kaersenhout,
kilomba,
martinez,
monte del oca,
mwangi,
ostojic,
shah,
stitch & tchuani,
theatre of the oppressed,
vachani
terça-feira, 31 de janeiro de 2017
Work Samples
Decolonial Love, Antropofagia, and the 'Sound of Kuduro' (in making) :
Performative lecture where I aim to dismantle the ''art plantations of modernity'' and make visible the entanglements and continuities of colonialism in the present.
Following Junot Diaz I ask the questions such as: How can we overcome the horrible legacy of slavery and find decolonial love? Can two broken by coloniality of power selves really love each other?
The Antropophagic Banquet (2016) :
The Antropophagic Banquet is a screening and discussion with decolonial agenda
that presents ten artistic positions in format of short videos and a series of
drawings flying-in from Buenos Aires.
It is triggered by ´antropofagia´
and imagined as a platform for future collabs.
Antropofagia means colonialism and
not cannibalism. The event sets to trace its presence around the globe. Since
coloniality permeates life in its entirety, The Antropophagic Banquet is an
offering for the public to think and act upon its present-day forms such as
racism, exploitation and disposession through ´eating and digestion´of artworks
by transnational artists. As someone said before: "Coloniality is not
over. It is all over."
#Dame los Poderes (upcoming) :
DlP activates the potential of Haitian revolution in order
to dismantle the continuities of colonialism in the present such as
racialization,exploitation and disposession and redefine current migration
waves by positioning them in relation to slave trade and future uprisings.
Slave revolution started as a voodoo ceremony and took the
masters by surprise- Haiti was the most prosperous colony in the world and
Christianity the only valuable set of beliefs therefore any kind of resistance
was unthinkable. This powerful moment in history, when slaves
organized themselves inside the plantations to fight against oppression and
capitalist enterprise on their own terms, radically shifted the way things were
supposed to be. How can we reenact it in the present- in the art context and
beyond?
Border Dwellers is a platform on art and knowledge
influenced by pan-Africanism, Negritude and Afro-Futurism done in collab with
artists, theorists, and activists (many of them migrants, refugees and exiles).
It has Haitian slave uprising as a backdrop and connects to current struggles
around the world like the movement #Black Lives Matter.
Shape-shifting in nature, Border Dwellers will appear along
the route as online platform mixing theory, poetry and creative stuff, and
culminate in art event. Various artistic and theoretical positions will be
presented together, creating an open, relational and safe space for action, open to proposals on new
ways of socio-political organization inspired by indigenous knowledges, often developed
as a response to oppression and colonialism and practiced for centuries.
I Salt and Pepper My Mango (upcoming) :
Dear Tejal,
I wish to spend some time at Balcao experimenting on a new project that doesn't have shape yet. I'd like to depart from my life-experience, having to reincarnate various times as a queer person, constantly migrating between worlds, and a recent passing away of a friend and lover. She, whose gender wasn't easy to grasp, and whose whole life was a sharp political statement of resistance, reminds on Escrava Anastacia and other powerful women on their way to liberation.
I'd love to spend a month playing, researching, and collaborating with the community, as well as interacting with garden plants and insects around the issues of life, vitality, vibrations, co-existence, and other possible worlds. I think Goa would be a perfect setting for that. It may sound strange, but I feel like I've been there before.
research images:
fka twigs + forensic architecture
Zami (upcoming):
Zami is a Carriacou word meaning women who work together as friends and lovers. It is also a live event and platform on decolonial love that abruptly mixes art and theory to discuss the legacy of ''poet, feminist, lesbian, mother and warrior'' Audre Lorde and black feminism in relation to liberation and healing. Throughout this journey, Zami stumbles upon triangular slave trade, marroon settings, art plantations, and slave revolutions.
image: ruby amanze
One World in Relation (2013-15) :
A research, exhibition and publishing project with decolonial agenda digging on issues such as tropicality, colonialism and its resonancies, (unbearable) labor conditions and (forced) migrations.
image: Pascal Martine Thayou
Maison Tropicale (2014) :
Proposal for art space and collaborative platform on Sao Vicente island in Cape Verd, triggered by a theft of African modernist house by Western art collector.
image: Annabel Gueredrat&Henri Tauliaut
Kusmi Tea Sweet Love (unrealized) :
In the midst of a black market, a town in town, a buissness spot with unlimited traffic, where micro economy based on exchange of all kind of goods except artworks, is performed daily by immigrants from India, Pakistan, China and Guiné Bissau. Thieves? Merchants? Speculators? In the centre of Lisbon a small narrow street, where the red letters on ringbells are exclusively in chinese. Some of the apartments, however difficult to say which, host illegal chinese restaurants that differ little from common homes in order to hide their activity. The owners/cooks don't speak neither portuguese nor english and the clients choose from untranslated menus. Located on the frontier with moorish and red light district, the zone is also known for delicious indian sweets of many colours.
This project is archived on E-flux
Etiquetas:
anastacia,
antropofagia,
border dwellers,
dame los poderes,
decolonial love,
i salt and pepper my mango,
kusmi tea sweet love,
maison tropicale,
worldmentality,
zami
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